I'm Ewan Hoozami - Bristolian DJ, producer, multi-instrumentalist and, lately, rapper/vocalist.

Here you can find music, videos, mixes and info about my myriad musical exploits, and I'll also be keeping an eye on the goings on in the world of great beats, to link you with lots of great free mixes, tracks and label news.
So sit back, scroll around and help yourself to some funky goodness...

Thursday, 23 May 2013

New DJ Mixes, Free Remix and Single preview!

New material right here... including some sneaky peaks from my forthcoming album...
First up is the lead single from aforementioned album



A new free download... Lazy Habits - Even Out (Ewan Hoozami remix)



Some new DJ Mixes - Live at KOKO, Ujima Radio Minimix, BBC Introducing Minimix

Tuesday, 26 February 2013

BBC Introducing Minimix now up!



First broadcast on BBC Introducing In The West on Feb 16th 2013. I have added an extra track onto the end, and naturally this minimix has none of the interview which ran over the top of it on the BBC Introducing show.
Massive thanks to BBC Introducing for asking me to do the mix, and thanks to you for your support.
The music is taken from my new EP 'Fire In Me' and yet-to-be-released album 'Robot Soul'
Please SHARE this among your friends if you enjoy it. As an independent unsigned artist I cannot stress enough how important each share is.
The Fire In Me EP is free to download here http://ewanhoozami.bandcamp.com/
Tracklist:
1) Treading Water
Music and vocals by Ewan Hoozami
2) Android Pillow Talk
Music and scratches by Ewan Hoozami. Vocals by Colleen Quinn
From the Fire In Me EP http://ewanhoozami.bandcamp.com/
3) Fire In Me
Music and vocals by Ewan Hoozami
From the Fire In Me EP http://ewanhoozami.bandcamp.com/
4) Won't Be Long (instrumental)
Music by Ewan Hoozami
5) The Answer
Music and vocals by Ewan Hoozami with additional guitar by Brendan 'B-Dub' White
6) Lazy Days
Music and vocals by Ewan Hoozami with additional guitar by Brendan 'B-Dub' White
7) Dutty Vibrations
Music by Ewan Hoozami. Vocals by Ewan Hoozami and The Scribes
8) Pull Me Up
Music by Ewan Hoozami. Vocals by Colleen Quinn
9) Skin Too Deep
Music and vocals by Ewan Hoozami with additional guitar by Brendan 'B-Dub' White
10) Talkington Dub (instrumental)
Music by Ewan Hoozami

Tuesday, 19 February 2013

Brand new EP out now!

 


Ewan Hoozami
Fire in Me EP
Self Released


Bristol is rightly renowned on a global scale for its rich vein of musical diversity. With an artistic reputation that is rivaled only by London, the city is slowly but surely cementing its status as the place to watch for all things big beat and bass influenced.

Popular mixed genre, heavy beat maestro Adam Hignell aka Ewan Hoozami ("youˈn'hooz'arr'mee") is not only "stupendously well-named", but is currently amassing a loyal and fervent following in both his hometown and internationally. Known as a versatile live performer - encompassing nimble fingered MPC routines, live microphone manoeuvres, loop station lunacy and multi-angled bass assaults - and renowned party smashing DJ, playing Soundwave Croatia, V Festival, Isle ofWight Festival, FBBB Holland, Brisfest, Red Bull Riders, Boomtown Fair, Larmer Tree Festival and Chai Wallahs, as well as a sea of events with massive Bristol promotors and collective "Funk From The Trunk", 2012 saw Adam release a veritable cornucopia of prestige productions. Dropping releases on Big M, Pig Balls Records, Breakbeat Paradise and seeing self-released songs number downloads in their thousands, 2013 is set to be the year that Ewan Hoozami compounds his status as a production force to be reckoned with.

Readying for the release of his long play album "Robot Soul", Hoozami invites listeners to feast upon a delectable free four part EP entitled "Fire In Me". Combining classic boom bap hip hop, breaks, bass, big beat and unashamed pop tendencies amidst a natty ear for samples and electronic elements, the EP serves to whet appetites for his impending album.

Opening salvo "Fire in Me" caters to Ewan's hip hop aesthetic with a robust boom bap bed graced with his lyrical debut. Evoking an old school mic style with dense, intricate linguistics and wordplay, he denotes his emphasis toward creative impulse and individuality in contrast to the current trend for identikit rappers and producers.

"Through With Love" features popular Bristolian rapper Blacksmith. Blacksmith oozes soul whilst expressing his woes at a lost love, displaying a level of maturity and honesty seldom seen in modern rap. The production appears to begin with a classic hip hop aesthetic, before dropping into what can be more comfortably defined as a big beat influenced breaks bass production.

"Android Pillow Talk" sees the EP lean more toward modern pop stylings, with the lush, eerie tones of Substatic vocalist Colleen Quinn. This song hints toward the robotic soul of his impending LP, contrasting the EP's earlier lo-fi slant with creeping electronica and sub-bass aplenty. The result wouldn't sound too out of place amongst the finest work of Morcheeba in their pomp.

EP Finale "The Quiet" sees Ewan return to mic duties over a re-imagining of one of his more renowned indy releases "All Quiet". Again ably assisted by Colleen Quinn, classic spanish guitar and piano elements are fused with arpeggio and rampant bass to create a textured epic with Hitchcock-esq breakdowns. The lulling vocal sample permeates throughout, ending the project on the line "Til you come back to me".


CONTACT: EwanHoozami@gmail.com +44 (0) 7718004327

credits

released 16 February 2013
A. Fire in Me - Produced, written and performed by Ewan Hoozami
B. Through with Love - Produced by Ewan Hoozami, vocals by Blacksmith
C. Android Pillow Talk - Produced by Ewan Hoozami, vocals by Colleen Quinn
D. The Quiet - Produced by Ewan Hoozami, vocals by Ewan Hoozami & Colleen Quinn

Artwork by Tsiou at Kimolia Graphics www.kimoliagraphics.gr

Monday, 24 September 2012

EVERYTHING MUST GO!

After several years making a large quantity of music in a variety of different styles, I am giving away almost everything I have ever written. But this is not an end, it's a beginning. If you are interested, I have written a few words to explain why I have come to this decision...

As a young producer with nothing but an MPC500 and my record collection, I made a well received trip-hop EP and my debut album. A few of the tracks on the album also used a couple of hardware synths, but the overall idea was to cut up and re-interpret the sounds from great and obscure records I picked up along the way. I would grab a few sounds I liked, put them into the MPC, sample some drum hits and start chopping, editing and slicing until I had something I liked. I didn't really know what I was doing, and some of my mixdowns were horrendous, but somehow the album was picked up by Terry at Pig Balls Records, and a few of the tracks ended up on Solid Steel mixes and got a bit of radio play, including Radio 6 Music.


Since then my skills as a producer have steadily improved, and I've been fairly prolific, producing tracks in loads of different styles, to varying degrees of interest from the wider world.


As a music fan I've never been able to devote myself to one style or one genre, and it's the same with my production. As a DJ, I've played all sorts of music, from the incredibly obscure and psychedelic to the guilty pleasures and everything in between. This started back when DJs tended to have one genre and would only play that style (it was 90% vinyl back then so switching up genres was much harder to pull off!)

I realized recently how much I have missed playing live. My old band, Syte and The Sound, had some great times in the 2 years we were together but sadly split last year. I would regularly turn up to gigs with MPC, decks & mixer, guitar, bass, and synth, and play them all live during the show. You can't beat the feeling of playing live, when anything could go wrong in a second, but when you pull it off it feels amazing.

So, thanks to encouragement from friends like Cheeba, who strong-armed me into playing an MPC set at a recent Soundcrash party, I started playing live shows again. The shows were great, and I got the familiar rush of performing, but despite the positive reactions I quickly realised that something was missing as a live spectacle... too much head-down tapping and not enough audience engagement. What was missing was vocals, mainly, so I started writing full songs with proper structures, and performing the vocals myself. This was a complete accident - every vocalist I approached with music let me down in some way, so I thought I'd just do it myself!

This process has been massively eye-opening... I feel competent enough as a musician to write the music that's in my head, and confident enough to vocalise the words that are in my heart. I also feel like there is so much potential in developing a live show around the new material. It's proper self-expression, a shift in my perception, and I want to make a new start, focusing on my original sounds.

And that's where I am now... writing new material, that sound like 'proper' songs, with original vocals, and working with Substatic's Colleen Quinn to put together an album and a live show that I think will blow some people away. I will lose fans, there is no doubt about it... some of you won't understand what I'm doing. But I'm cool with that.

So this is a chance for me to draw a line under the music I have made thus far, by giving it all away for FREE, as a thank you to all who have supported me during my career so far. I will archive it all at some point, so grab what you can now if you want it.

Peace out for now, I'll be back with a bang soon.

Yeah, I know... TL:DR

One Love

Adam AKA Ewan Hoozami

TRACKS: This is everything I've done to date as Ewan Hoozami, except 2 current or pending remixes, which it would not be fair on the labels to give away. Also except for some material that will be on my new album.

There are 3 BRAND NEW tracks up for grabs - I've put these at the top of the set.

If you wish to make a donation, please make payments to ewanhoozami @ gmail.com via Paypal.



Friday, 27 July 2012

Runner-up in the Dimensions Festival Producer Competition!

I'm delighted to announce I have come 2nd in the Dimensions Festival Producer Competition!


Here's the track that I entered

Thursday, 28 June 2012

Dimensions Festival Producer Comp - My entry

I've entered the Dimensions Festival Producer Competition, with this track, which will also be on my new Robot Soul EP.

If you like the track, please hit the heart button - I need at least 500 plays and 100 hearts to make the shortlist!



Thanks to Lady Nade for providing vocals.

Thursday, 31 May 2012

Telephunken - Shake Your Monkey Remixed - OUT NOW!

The excellent Tremendo label is back once again, not with the renegade master, but with it's head honcho Telephunken's smash hit 'Shake Your Monkey' re-released with a slew of dope remixes.
Busta and Basement Freaks join me on the remix duties, each of us taking the key elements of the original and reworking them in our own styles.
See what you think, and buy it here

Tuesday, 8 May 2012

Free Download, a DJ Mix and a track to buy!

The last few installments of my bloggings have been noticeably me-free... and it's been nice to dwell on other people's work for a while.
But, time ticks by and I release more music by the boatload... and since this is my blog, I should probably blog it.

I'm not going to review my new tracks, as that would be self-indulgent even by my standards. All I will say is that I, personally, really like them. And sometimes, in art, all that really matters is the sense of fulfilment from creating pieces that you actually like.

FREE DOWNLOAD - Through with Love
Electronic Soul

TO BUY - You're Mine
Bass-Hop
Bulabeats BB040

MIXTAPE
A 45 minutes or so mix I forgot I'd recorded at the end of 2011. Pretty much all around 100bpm, some nice glitchy sounds, lots of bass, some classic hip-hop, a bit of turntablism and the first incarnation of Box Rocket's Avalanches remix, which you'll never hear anywhere else.
This is just a bit of fun, don't take it too seriously!

Tracklist:

Chopin Terrorist - Billa Quase
 
Mary Jane - The Alkaholiks
 
Get Your Freak On (Wick-It Remix) - Missy Elliott
 
No Sleep 'Til Brooklyn (Wick-It Remix) - Beastie Boys
 
Prelude - Bonobo
 
Fly Away Another Day - Pretty Lights
 
Dream On (Griz Remix) - Aerosmith
 
Dust - Hidden Orchestra
 
Market St (Ewan Hoozami Remix) - Johnny Pluse
 
Drop Bombs - Mochipet
 
Fire Feat. Mara Tk (Opiuo Remix) - Benny Tones
 
Here's A Little Something For Ya - Beastie Boys
 
Yo Mama So Fat (12" Remix) - The Pharcyde
 
Friday Night Time - Nynfus Corporation
 
Dopest Of The Dopest - Frenic
 
Give It Away (Blue Bubbles Remix) - Red Hot Chilli Peppers
 
Barrio - Lopez
 
What Is It ? - Dirty Dubsters
 
Babylon Shall Fall - John Hendicott

Make 'Em Bounce - John Hendicott
 
Avalanche Psychiatrist - Box Rocket
 
Can't Tell Me Nothin' (Griz Remix) - Kanye West

Wednesday, 2 May 2012

The Allergies' debut single drops



Having graced this page a mere matter of days ago, I'm pleased to announce The Allergies have dropped what can only be described as their first single - a double A-Side featuring tracks 'Big Star' and 'Symphonics'.
Big Star is highly likeable - a swaying arrangement of snatched soul vocals, lush instrumentation and flowing beats.
But it's 'Symphonica' which does it most for me - the punching percussion, deep swirling atmospherics and beautifully eq'd samples that sit snugly on the driving bass line is, to me, reminiscent of classic Fatboy Slim.
All in all a great listening experience with something for the living room and something for the dancefloor. Tidy.

Oh, and it's FREE!

Go here http://theallergies.bandcamp.com/ if you know what's good for you

Friday, 13 April 2012

Some downtempo lushness from Riddim Fruit and Dj Chamber

In my current spirit of actually putting some work into this blog, I have another boat-load of great music for your ears - that won't hurt your wallet either.

Two new EPs hit my inbox yesterday... both of them from artists/labels that I usually associate with more dancefloor-orientated output... so it was a slight surprise that both DJ Chamber and Riddim Fruit's latest free EPs are both stocked with laidback beats for the chillers.

It's a fact that right now, I think influenced by the success of Skrillex etc, the world of funky breaks has seen a large increase in more face-melting 'funky' breaks. Two artists I really admire, Featurecast and Pimpsoul, have both recently released some epileptic monsters, and below them there are a whole slew of producers fusing Skrillex style spazz-outs to the 'Ghetto Funk' sound that has swept the globe over the last couple of years.
I have nothing against that, it's quite interesting when done right, and there's no denying the effect they can have on the dancefloor, when used sparingly.
It's certainly influenced some of my production - as my forthcoming remix for Telephunken will display!

BUT... in equal measure this style has given me a hankering for some of those old-time sample heavy dusty beats... it's a ying and yang thing I guess, or maybe I'm just getting old.

Last week I blogged Frenic's lush new EP, and now it's DJ Chamber and Riddim Fruit's turn.

I can only deduce that they've all been feeling the same as I, since both come with some sumptuous dusty beats that wouldn't be out of place on Grand Central circa 1994.

I can't help notice how things have come almost full circle from the demise of Grand Central, with the expensive copyright lawsuits that had cleaned them out, and put the frighteners on an entire industry, that, at the time, was revelling in DJ Shadow type sample-smiths, such as The Avalanches, Nightmares on Wax etc.

As but a wee bairn, I was busy with my MPC badly producing tracks with great samples, blissfully unaware that the industry was changing, and no-one dared touch music with samples for fear of copyright claims.

Big names such as Fatboy Slim could just buy the copyright, but for new producers the door had been shut.

This, in turn, affected the market, as musicians realised they had to produce their own sounds, or deconstruct their samples til they were unrecognisable. You might not think this was a bad thing, but it certainly changed the sound of hip-hop/breaks, and left trip-hop pretty much dead.

As we got towards the end of the 00's, the internet, mp3 downloads, torrents and a decline in revenue has since meant that the major labels and copyright lawyers have lost much of the resources needed to successfully sue publishing artists for copyright infringement. But, that is only really true if the music stays at a cerain level - if a track with samples gets into the charts, or gets licensed for TV/Film, it runs a much bigger risk of prosecution - so most 'big-name' artists are still either paying for their samples, not using any, or doing what Mark Ronson often does, which is write a song with samples, and then get real musicians to emulate the sounds.

But there is something in the sound of that dusty sample that many of us still love, and it's great to see current artists coming back with the music that was effectively outlawed in the 90s. In a landscape where people expect music to be free, by and large, there's nothing to stop artists using samples and releasing their music as free downloads (as the success of excellent net label Dusted Wax Kingdom shows).
And it's great to see labels such as Riddim Fruit, and artists such as Chamber, The Allergies, Frenic etc, put some music out that has no chance of substantial financial reward. It just proves that it's from the heart.
We need some more souful music in the world today, and if you're looking for it, you'll be hard pushed to beat these two latest releases:

(Christ that was a long segway, eh? Props if you're still with me)

RIDDIM FRUIT - CLOUD WATCHING EP
Cloud Watching Vol 1 Download LINK

I really ought to go through each track individually, as there are some real gems in here, but I'm out of time I'm afraid... you'll have to make up your own mind!
Stand out track for me is Dropsteady Freddy feat. Butterfingers 'Down South'.
No preview unfortunately - just download it now!

DJ CHAMBER - Action Through Inaction




Friday, 6 April 2012

Some HUGE free tracks for your ears...

Well, there's no denying I've somewhat neglected this page over the last few months, for which I apologise.

Hopefully I can make up for it with this post, full of some GREAT new music that is completely free and all...

First up, because it's my blog and I can, is one from me!
All Quiet was originally a lo-fi shuffler on my 2009 downtempo EP 'Mildebeats'... I've remixed it for 2012 and given it some glitchy bass treatment, while hopefully still maintaining it's original soulfulness. It's FREE just click the 'Buy' tab and either provide your email address or offer a donation of your choice.


Next up is a quite exquisite EP from my homeslice Frenic. Not only one of the loveliest people I know, he's also maddeningly talented, and for me, this EP is his finest work to date. Sumptuous, rich beats under dusty samples, precision scratches and brilliant orchestration - I can't recommend this enough.

Go here to download http://dustedwax.org/dwk125.html

On we go, this time to the fantastic Nynfus Corporation. They've been impressing listeners around the globe for a hot minute with their tight production and unique sound, that still definitely fits into the Ghetto Funk bracket, but is definitely at the more interesting end of the spectrum.
This free download is a tastefully reworked take on the Jacko classic 'Dirty Diana'. You may think there is no more room in the world for another Michael Jackson remix, but this is expertly done. Trust me...


Finally a track that takes me back to my first days of warehouse raves in the 90s and early 00s... Hiddin Riddim, the man behind the inspirational label Riddim Fruit, remixes Ben & Lex to great effect - the result is a rolling, dubby glitcher that has the trademark Riddim Fruit sound - which means lots of sub bass!

Wednesday, 21 March 2012

Live at Wormfood! Set 2 - Heaters!

On Saturday March 17th 2012 I played at the amazing Wormfood clubnight in London's best live venue Hootananny, Brixton.
This is the second set I played, to a now packed room. I wish I'd had the mic on so you could now hear the noises from the crowd... it's fair to say they were enjoying it!
Again it ends pretty abruptly when the next band were ready to start...
DOWNLOAD LINK http://www.sendspace.com/file/3u6ktt



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